Meet the Author: Christine Bell

Christine’s top tip for aspiring authors: Even when you’re not getting published keep writing. Elizabeth Jolley did that over twenty years of rejection and then when one book got published, the others all lined up behind and, in short time, she seemed prolific.

Christine Bell is a Melbourne fiction writer. Her debut historical novel No Small Shame was published by Ventura Press (Impact) this month. In October 2019, Christine was awarded the inaugural Historical Novel Society Australasia (HNSA) Colleen McCullough Residency for an Established Writer. She is a Varuna fellow and holds a Master of Creative Writing (RMIT). Christine has had 35 short fiction works published for children. No Small Shame is her first adult novel.

AUTHOR INSIGHT

Why do you write? I write because I love the thrill of creating characters and seeing people, places, events coming to life on the page that didn’t exist before. Then I write to discover why my characters make certain choices, what influences them and to see how they respond to both the world and shifting circumstances.

What would you be doing if you weren’t a writer? I’d perhaps be a teacher or a librarian. I taught ESL to Chinese English Major students for a term at a Chinese university and loved it. I also taught creative writing classes for a couple of terms to adult students and loved that too. But being a writer, I couldn’t wait to get back to work on my story.

What was your toughest obstacle to becoming published? Getting a novel published has proven far more elusive than getting my children’s fiction published. Two YA novels went to various acquisitions meetings, but didn’t make it through. Really though, I think my biggest obstacle was probably my own fear and self-doubt. I took a long time to send No Small Shame out into the world. I loved it and couldn’t bear to let it go.

How involved have you been in the development of your book? Did you have input into the cover? Ventura Press have been very inclusive throughout every stage, from discussions on the cover design and editorial process to changing the original title. I really appreciated that they took up some of my suggestions. I trusted them implicitly and knew that, if they did not agree with any, they knew the market and readers far better than me. My input into the cover design was to suggest the type of cover images I liked and then to say which design I liked best during concept development. Happily, we all picked the same as our favourite which was the one developed into the final cover art on the book.

What’s the best aspect of your writing life? I love those moments when I’m so engrossed in writing a scene that my fingers fly across the keyboard. It still delights me to see an idea become real on the page, a new character or event come to life that an hour ago did not exist. Also I love those times when a gnarly scene I’ve been wrestling develops into a crucial and poignant moment in the book. I have to say though that the very best moment was when I finally held No Small Shame, the book, in my hands!

—the worst? Self doubt. The fear that I’m fooling myself. Will anyone want to read my book? That fear can be paralysing on occasions, but then I have to give myself a good prod and get back to work.

What would you do differently if you were starting out now as a writer? I’d trust myself to write the book I always wanted to write, even if it was big and scary and might never be published.

What do you wish you’d been told before you set out to become an author? If you want to write novels, write novels. Don’t worry whether you’re good enough or if it will ever get published.

What’s the best advice you were ever given? Make your similes work for your story. Match them to your work. For example: In No Small Shame, there’s a scene where Mary’s husband is having a nightmare and thrashing about in the bed. In the original scene I wrote it using a simile along the lines that Mary was drowning in a churning sea, but when I went to rework it, I knew it needed to be connected more immediately to their world and setting, and so it became about the timbers shifting in a coal mine and the roof beginning to cave in.

How important is social media to you as an author? At one time, I looked upon it as a necessary evil. A time sucker that took me away from writing. But then as I began to make connections and friendships with writers whom I’d never met and couldn’t hope to meet, my attitude changed to one of gratitude. Plus the incredible, generous response of the online writing community to authors who’ve had launches and events cancelled during this Covid-19 crisis has proven beyond doubt how valuable the connections you make through social media can be. Plus you’re never working alone in a bubble or isolated.

Do you experience ‘writer’s block’ and if so, how do you overcome it? Generally, I don’t suffer from writer’s block. I can experience chronic bouts of procrastination, when I consciously avoid beginning a scene, telling myself I need to do more research, think about it more etc. Ultimately, I have to make myself sit down and just write. I tell myself, I just need to get the bare bones down. It almost always works, then I’m left wondering why I put it off so long!

How do you deal with rejection? Usually I give myself 24 hours to mope, then send it out again. I’ve always been pretty resilient, except for one brief patch in 2018 when I lost confidence in the direction of my work-in-progress, then received two particularly disappointing rejections in one week. For the first time, I shut my office door, saying, I don’t think I can do this anymore. It took some weeks for me to realise that I’d become so obsessed with writing and getting published, I’d forgotten to take time out for other things. For fun! I gave myself a long Christmas break and took up learning to play the piano and mastering photography with a mirrorless camera. I began the New Year somewhat renewed and reinspired for work-in-progress, especially after I did a hugely inspirational masterclass with Antoni Jach.

In three words, how would you describe your writing? Authentic, compelling, gritty.

If you had the chance to spend an hour with any writer of your choice, living or dead, who would it be and what would you most like them to tell you about living a writing life? This answer would change for me on any given day, depending on what I was reading or writing. Today, I’d nominate Ruth Park. She wrote with such raw honesty and her characters, such as the Darcy family in Harp in the South, bore a familiarity to the O’Donnells in No Small Shame. They also faced poverty and prejudice, along with the daily struggle to break free of their circumstances. I think Park with her Irish migrant background would have many more tales she could tell. With my Irish, Scottish heritage, I’d be keen to listen.

BOOK BYTE

No Small Shame

Christine Bell

Australia, 1914. The world is erupting in war. Jobs are scarce and immigrants unwelcome. For young Catholic Mary O’Donnell, this is not the new life she imagined. When one foolish night of passion leads to an unexpected pregnancy and a loveless marriage, Mary’s reluctant husband Liam escapes to the trenches. With her overbearing mother attempting to control her every decision, Mary flees to Melbourne determined to build a life for herself and her child. There, she forms an unlikely friendship with Protestant army reject Tom Robbins. But as a shattering betrayal is revealed, Mary must make an impossible choice. Does she embrace the path fate has set for her, or follow the one she longs to take? From the harshness of a pit village in Scotland to the upheaval of wartime Australia, No Small Shame tells the moving story of love and duty, loyalty and betrayal, and confronting the past before you can seek a future.

Purchase links:

Readings: https://www.readings.com.au/products/30505748/no-small-shame

Dymocks: https://www.dymocks.com.au/book/no-small-shame-by-christine-bell-9781920727901

Booktopia: https://www.booktopia.com.au/no-small-shame-christine bell/book/9781920727901.html

Ebook: Amazon: https://www.amazon.com.au/No-Small-Shame-choice-forever-ebook/dp/B07WQYNC2G

Social media links:

Website:              https://christinebell.com.au

Twitter:                https://twitter.com/chrisbellwrites

Facebook:            https://www.facebook.com/chris.bell.77377

Instagram:           https://www.instagram.com/christinembell

 

 

Meet the Author: Dan Kaufman

Dan’s top tip for aspiring authors: Develop a tough skin and don’t take the rejections personally.

Dan Kaufman spent most of his career at The Sydney Morning Herald, where he edited almost every section at one time or another, from Travel to MyCareer. He also wrote for almost every section, including essays and literary articles for Spectrum, and had the unofficial title of being the humiliation correspondent by writing about such topics as spending 24 hours in Star City and going to a bondage club. Since leaving the SMH he has continued to write the occasional opinion column for it. He also teaches writing workshops through his business Media Survival.

AUTHOR INSIGHT

Why do you write? It’s a compulsion. Once a story or an idea comes to mind and takes over, I become obsessed with it until I’ve finished.

What would you be doing if you weren’t a writer? I have no idea. I spent most of my adult life as a journalist – and I now teach writing workshops – so it’s hard to imagine life without writing. I often think writing saved me.

What was your toughest obstacle to becoming published? Stamina and finding the right person to believe in the book. It’s not enough to get an agent – or even an editor who likes it. Often, you then need to get other people in the publishing company to get on board. However, if – like me – you write novels that don’t fit neatly into a specific genre, or that take risks (or both) then getting a publisher is almost as hard as winning the lottery. I wrote a previous book that I spent over 10 years writing and was obsessed with it. I still am, actually. I got an agent, I had interest from several publishers, I even had a judge from a literary competition email me and say that the novel deserved to get published and that he loved it – but no publisher could get the group approval amongst their editors to go ahead with it.

So with my new novel I took a different approach and sent it to a small publisher who didn’t need to get the approval of other editors – and it worked. However, it took thousands upon thousands of rejections over many, many, many years before I got a book deal.

How involved have you been in the development of your book? Did you have input into the cover? Because I spent so long working as a magazine and newspaper sections editor – and I have worked on the production of countless covers in the past – I was hands on with my book. Luckily, my publisher (the fantastic David Tenenbaum from Melbourne Books) was great about this.

The cover idea was mine, and I suggested a great illustrator I know (Michael McGurk, who I have worked with in the past on magazines and at The Sydney Morning Herald) – and Michael absolutely knocked it out of the park.  I couldn’t be happier with the cover design.

 What’s the best aspect of your writing life? Simple: it allows me to disappear into an imaginary world and make things happen – all while playing with words, which I love doing more than anything else.

—the worst? It’s unlikely that I’ll become a millionaire from it. Or even afford toilet paper on the black market.

What would you do differently if you were starting out now as a writer? I would spend a lot more time working on plots before just diving in. I’ve written countless unpublished books, and in retrospect they all had a common flaw: the plots were too thin. It took me a LONG time to learn how to put a plot together.

What do you wish you’d been told before you set out to become an author? To create better plots!

What’s the best advice you were ever given? Show, don’t tell. Rather than saying that something is happening, show it. Paint a picture in the reader’s mind with details. For example, don’t just say that John was happy. Show him thumping his steering wheel with joy while screaming out a victorious “yes!”

However, it’s a fine line – too many details can detract from the story.

How important is social media to you as an author? Social media is important – maybe even crucial now in the age of the corona virus. Having said that, I’m still working on improving my own social media presence in an authentic way. I want to make sure that whatever I do online remains true to who I am as a person.

Do you experience ‘writer’s block’ and if so, how do you overcome it? No – but that doesn’t mean the ideas are always flowing. I think of writers block as when someone sits in front of a keyboard and doesn’t know what to write and gets frustrated.

That’s never happened to me, because my approach is not to force things. When the ideas come, get them out of you. When they don’t, then let it go. After a while, they’ll come back.

Thinking that you have to write is, in my mind, a bad attitude. The writing should come out of you because you have something to say. You shouldn’t even have a choice: you have to write. When you don’t have anything to say, that’s a sign you shouldn’t be writing at all. Only bad writing can come when people think they have to write and so they just force it.

How do you deal with rejection? Sometimes, quite frankly, it can be soul crushing. Having said that, I try to find any constructive criticism and make the most of it – and if it’s just a blanket rejection, then I try to use it as an excuse to think about how I can make my writing even better.

Rejection is an integral part of writing. Criticism is the best thing that can happen to us, and being forced to improve our novels and not become complacent can be a positive, not a negative, force.

In three words, how would you describe your writing? Comic, bittersweet, satirical.

If you had the chance to spend an hour with any writer of your choice, living or dead, who would it be and what would you most like them to tell you about living a writing life? There are many writers who I absolutely idolise – but I have learnt from my journalism days that it’s never good to meet your idols. However, if I had to pick one then I’d go with DBC Pierre (the author of Vernon God Little) – I’m sure he could give me some great tips on both writing and being a writer. Vernon was such a brilliant novel that it would be great just to talk to DBC about how he developed it.

BOOK BYTE

Drowning in the Shadows

by Dan Kaufman

 

 

David’s journalism students petrify him. Then again, so does his cat.

His girlfriend broke up with him, he writes about bars for a shrinking newspaper that’s abandoned news reporting for lifestyle articles, and he’s desperately searching for meaning amongst the backdrop of Sydney’s shallow social scene.

Then he meets a young woman who just might be the answer. The only problem is, she’s a friend of one of his students.

Drowning in the Shallows is a comedy about heartache, a satire of Sydney society, a coming-of-age tale about a man in his 30s who is only now growing up, and a love story about a man and his beloved evil cat.

Buy the book here.

Meet the Author: Kirsten Krauth

Kirsten’s top tip for aspiring authors: Find your unique style and don’t be afraid to stick with it.

Kirsten Krauth is an author and arts journalist who lives in Castlemaine, Australia. Her writing has been published in the Guardian, Saturday Paper, Monthly, Age/SMH and Overland. She’s inspired by photography, pop and punk, film, other writers and growing up in the ’80s. Almost a Mirror was shortlisted for the Penguin Literary Prize and her first novel is just_a_girl. For more on the book visit @almost.a.mirror on Instagram or search out Almost a Mirror on YouTube, Spotify and Apple Music to hear the playlist.

Find out more about Kirsten here.

AUTHOR INSIGHT

Why do you write? I don’t feel like I have a choice! I have written creatively since I was four years old. When I’m working on a writing project, I feel challenged, content, curious. When researching, I learn a lot about new topics and I like to attempt to work out why people do the things they do. It also helps me deal with experiences that have lodged inside that I need to bring out to the open to contemplate.

What would you be doing if you weren’t a writer? I’ve always dreamt of being a musician which is probably why I write about music so much. A dancer. An actor. Something expressive.

What was your toughest obstacle to becoming published? I found it hard to get an agent at first until I met the wonderful Jo Butler. Some of the agent comments along the way were pretty tough. But as this was my second novel, I knew what feedback to take on and what to discard. I was lucky this time in that it was a dream run in terms of getting a publisher. Transit Lounge sought the book out and being shortlisted for the Penguin Literary Prize gave it a boost.

How involved have you been in the development of your book? Did you have input into the cover? Yes, I felt completely involved. The designer chosen for the cover was the person I would have picked. Josh Durham. He’s also a friend in Castlemaine so that was a nice coincidence. I’m a very visual person and as the book is partly about photography I was keen to have a say. Josh and I and Transit share the same aesthetic so it worked out beautifully.

What’s the best aspect of your writing life? The freedom to work from home, the collaboration, the immersion in ideas, the chance to meet other writers and artists.

—the worst? At the moment, the uncertainty of publishing a book on 1 April in this climate and the cancellation of all my launches and festival gigs.

What would you do differently if you were starting out now as a writer? It took me a long time to start writing fiction as I began as an editor and arts journalist. I wish I’d started writing novels when I was in my teens – I dreamed about it for a few decades before I did it.

What do you wish you’d been told before you set out to become an author? To choose a handful of people more experienced than you, who you admire as writers, and take their feedback seriously (rather than a broad spectrum of opinion that can be confusing when you’re starting out).

What’s the best advice you were ever given? Richard Flanagan said not to consciously write the deep and meaningful in, the erotic, the humour, the sadness – to just observe and let the reader do this themselves. This informs every aspect of my writing now.

How important is social media to you as an author? At the moment it is a lifeline in these current strange times. I’ve set up a FB group called Writers Go Forth to help authors whose books were due to be launched in 2020. It’s got 1400 members in a week! Building that kind of community is important to me.

Do you experience ‘writer’s block’ and if so, how do you overcome it? No, I don’t. My creative writing time is so precious I get on with it. I always write a first draft in fragments. I got a great tip for starting off if you’re stuck. Think of: 1. A location 2. A character 3. An emotion. Eg A concert, Nick Cave, Rage – this is in my book Almost a Mirror. I find I can start writing from that place immediately.

How do you deal with rejection? It gets easier as you go along. But then again as you keep writing novels more seems to ride on them! I tend to receive the rejection, feel upset on the day, put it aside, wake up the next day with a new idea and return to the rejection a fair way down the track. I don’t dwell on it.

In three words, how would you describe your writing? Punchy. Stylistic. Empathetic.

If you had the chance to spend an hour with any writer of your choice, living or dead, who would it be and what would you most like them to tell you about living a writing life? Oh wow! It would be Patti Smith. I admire her strength and resilience and the power she creates with images and words – and music. I’d like to know how she had the courage to always be herself and how she manages to have such an emotional impact on the reader and audience at gigs.

BOOK BYTE

Almost a Mirror

Kirsten Krauth

 

 

Like fireflies to the light, Mona, Benny and Jimmy are drawn
into the elegantly wasted orbit of the Crystal Ballroom
and the post-punk scene of 80s Melbourne, a world that
includes Nick Cave and Dodge, a photographer pushing
his art to the edge.
With precision and richness Kirsten Krauth hauntingly
evokes the power of music to infuse our lives, while diving
deep into loss, beauty, innocence and agency. Filled with
unforgettable characters, the novel is above all about the
shapes that love can take and the many ways we express
tenderness throughout a lifetime.
As it moves between the Blue Mountains and Melbourne,
Sydney and Castlemaine, Almost a Mirror reflects on the
healing power of creativity and the everyday sacredness of
family and friendship in the face of unexpected tragedy.

Buy the book here.