Belinda’s top tip for aspiring authors: Don’t. Give. Up.
Belinda Lyons-Lee was born in Geelong, Australia and still lives in the region with her husband and son. She has degrees in youth work, education, writing and literature. Belinda has been teaching English and creative writing in high schools for nearly twenty years and the nineteenth century has been an obsession of hers for even longer. Belinda has had various articles published that explore writing, vocation, mental health and creativity. Tussaud is her debut novel. Find out more about Belinda at http://www.blyonslee.com
Why do you write? I write because I love to escape and inhabit the times and places I create, because I want to discover something about what it means to be human, to try and make sense of my own, and other people’s lives. I read for the same reasons.
What would you be doing if you weren’t a writer? I’d be drawing, painting or messing around with clay whilst balancing teaching English. The same life I have now but swap out the writing for another form of creative expression!
What was your toughest obstacle to becoming published? I can’t remember who to attribute the quote to but it goes something like – ‘It’s not what happens to you but what happens within you that defines who you are’. There’s been a lot of ‘stuff’ that has happened to me along my writing journey, the usual culprits of rejections, set-backs and disappointments. However like Marie in my novel, I had to instead concentrate on what was happening within me, my reactions, my self-talk and find a way through it all.
How involved have you been in the development of your book? Did you have input into the cover? My publisher (Transit Lounge) has been incredibly supportive in terms of opening dialogue about each step in the publishing process. I can say the same about the editing process – Kate Goldsworthy was amazing in the way she connected and understood not only the technical details of the writing itself, but the deeper, richer essence of the novel that shines through now more clearly because of her attentions. Talking through the front and back cover was very exciting. Josh Durham, the designer, is so very clever and physically captured the mood of the novel perfectly. I actually sent the publisher and Josh a Pinterest board of the sort of covers I loved early on in the process to help frame the look I ideally wanted. Josh came up with a few designs that were all equally impressive but in the end the publisher and I both felt that this one, the one that you see now, was the best representation of the mood of the story.
What’s the best aspect of your writing life? The very first draft. So much energy, momentum!
—the worst? Sometimes the technical details of spelling, grammar, punctuation and then chapter length, refinement of sentences, plot holes, inconsistencies etc. This requires a different sort of energy and headspace. Sometimes it’s hard to balance out the two when one, for me, is much more fun than the other!
What would you do differently if you were starting out now as a writer? Celebrate the small accomplishments.
What do you wish you’d been told before you set out to become an author? That writing requires an enormous amount of determination and sheer stubbornness.
What’s the best advice you were ever given? I’ve had this quote by Neil Gaiman as my screen saver for about seven years. That tells you something about how highly I rate this advice! ‘Start telling the stories only you can tell. Because there will always be better writers than you and there will always be smarter writers than you. There will always be people who are much better at doing this -or doing that – but you are the only you.’
How important is social media to you as an author? It’s wonderful as a way to connect with readers and people in the ‘writing world’ but I guess like anything, it can quickly turn into a time sucking diversion.
Do you experience ‘writer’s block’ and if so, how do you overcome it? If I feel a piece lagging, losing energy or momentum, I find it’s because, as William Kenower (?) I think has said, I’m no longer curious about it anymore and perhaps have even lost confidence in myself, my idea and my ability. So the moments I ‘drop out’, I switch to writing another scene or chapter or go sideways into historical research and then maybe approach it slyly again the next day or the day after. This seems to have worked so far…
How do you deal with rejection? Generally I deal with rejection by allowing myself time to feel the sting, hours, days, whatever is needed until the ‘noise’ of it begins to dissipate. Then I consciously remember to myself what the vision for that particular piece of work is and I get back in the chair and just keep going.
In three words, how would you describe your writing? Fictitious. Historical. Imaginative.
If you had the chance to spend an hour with any writer of your choice, living or dead, who would it be and what would you most like them to tell you about living a writing life? The hardest question ever – aside from name your favourite book! At this very moment in time, I would choose Daphne du Maurier. I read one of her biographies and was fascinated by her life and her complexities as a person. I would like to hear her thoughts on balancing the need she felt for solitude, the need to write and the need for intimate and social relationships.
Paris, 1810. Haunted by the French Revolution, Marie Tussaud has locked herself away in her shop with the death masks she was forced to make to avoid the guillotine.
Philidor, a famous magician, offers her the chance to accompany him to London to assist in creating a wax automaton that will bring them both money and success.
Following a disastrous performance on their opening night in which the wax on their prized spectacle melts, the eccentric Duke, William Cavendish, invites them to his rambling estate,
Welbeck, where he suggests they take up residence, use his underground ballroom for a new show and in return create a private commission for him: a wax automaton in the likeness of Elanor, a beautiful girl who mysteriously disappeared from the estate when he was a child.
In this delicious novel of twists and turns, Welbeck, with its locked doors and rooms, is full of secrets and no-one is who they seem. There is the seductive aura of Shelley, Dickens and Du Maurier in Tussaud. Marie must fight for survival in a world dominated by male advantage and power in a mesmerising story filled with wisdom about human behaviour and motivations.
Buy the book here.