Meet the Author: Kesta Fleming

Kesta’s top tip for aspiring authors: Join a writers’ group and connect with the writing community – especially with other children’s authors. You learn so much from other writers and it’s such a lovely community. Writing itself is often very solitary, but the writing life doesn’t have to be. Get out there an meet people. That’s where the ideas and stories (and all the hot writing tips) are!

Kesta Fleming headshotKesta Fleming is a writer and poet, and author of the Marlow Brown chapter book series for seven- to ten-year-olds. She was born in England but grew up in the Adelaide Hills in a house full of books, bells and music. With a love of stories and a fascination for words she began writing when young. In addition to Marlow Brown, she has had numerous poems, plays, articles and short stories published in The School Magazine and in anthologies. Kesta is a former teacher and now divides her time between writing for children and her therapeutic work helping people manage stress and anxiety. She lives in Melbourne with her husband, two teenagers and a Brittany Spaniel.

Visit Kesta’s website at Kesta Fleming Children’s Author – Creator of the Marlow Brown Series

AUTHOR INSIGHT

Kesta, you started making up your own rhymes and poems as a six-year-old. What was the inspiration for this early venture into sharing the wonder of words? I grew up in a family where music making and stories were as basic to my existence as food, water and shelter. In fact, stories and music were perhaps even more valued than a permanent home. Many of my early memories involve sleeping in a tent or the back of the car, as my parents were adventurous and we travelled a lot. So, we’d be sung to at bedtime, read to while eating family dinners each evening, and play word games and sing on long car journeys.

Added to this, my mother was the queen of nursery rhymes – there wasn’t one she didn’t know – and she wrote her own stories.  My father was a pianist and played several other instruments including banjo, ukulele and mouth organ, and he composed his own music. It was the ’70s and for my parents that meant crocheted jackets, caftans and regular performances with a folk group they’d formed. And then, the whole family rang bells, but that’s another story … It’s little wonder I was inspired to make up my own poems and rhymes as a six-year-old. Rhythm and rhyme was what life was all about!

How much of an asset is your teaching background when it comes to writing your books for children? I haven’t really thought of it in terms of an asset to the actual writing, but it’s certainly been a big influence on me. Teaching children in lower primary exposed me to lots of lovely picture books and junior fiction stories during my twenties before I had my own children. So, it not only kept alive my love of children’s literature at a time I might typically have moved away from it, but it also kept my knowledge of what was being published current. And it fueled my love of reading stories aloud. Seeing children captivated by a great story and being part of expanding their imagination is inspiring. Helping them to make sense of the words themselves as they learn to read, and having it finally ‘click’ is also inspiring. How much this all helps me when writing my own stories, I couldn’t say. But it certainly gives me purpose.

What’s the story behind the Marlow Brown series? The Marlow Brown series is about a girl exploring interests that don’t fit the female stereotype and that typically lead to professions dominated by men. So, in the first book she’s smitten with the idea of becoming a scientist, and in the second, she’s totally set on becoming a top-class magician. I’m currently working on the third which has an engineering focus.

It might all sound serious and heavy going, but it isn’t at all! Marlow actually started out as a boy, and it was my publisher who suggested we switch her to a girl. After much thought and consideration about how this might change things, all I ended up doing was a simple pronoun switch. Marlow’s character remained exactly the same.

I think the story is all the better for the switch. It means there’s no big deal made of Marlow not fitting the stereotype. She’s totally unaware of such things. She’s simply a kid following her passions, doing what she loves. And getting into scrapes – because that’s the kind of kid she is. It’s a series full of humour.

Where do you find your inspiration? I always struggle with this question! I have an admission: sometimes I feel inspiration-less. But that’s okay … when I finally remember that other times I’m full of it. I think inspiration comes from doing stuff. From talking to people. From watching. From listening. For me it also comes from remembering what it was like to be a child. I have very vivid memories from my own childhood so I tap into those. And I think, most of all, it comes from being curious and asking ‘What if…?’ It comes from playing and being playful.

Who has been the strongest influence on your writing life? Lots of people, but perhaps the steadiest influence has been my writers’ group. We meet monthly and have done for years. Everyone is always so supportive and helpful, but our late friend and fellow writer, John Tyrell, should perhaps take a lion’s share of the credit. John was all encouragement. If I hadn’t brought anything to workshop for a while, or was down in the doldrums with my writing, he’d say he missed reading my stuff. I had several months a few years back of writing nothing, but turning up to writers’ group and facilitating all the same. It was John’s encouragement and belief in me that got me back into it.

What was your toughest obstacle to becoming published? A lack of understanding of just how much tenacity is needed to be successful. I’d give up on manuscripts too soon, thinking that after a certain number of rejections it must mean that there was no point in continuing with that one. I thought I was being tenacious in the way I sent my manuscripts out again and again, but discovered through talking to more experienced writers, that our definitions of perseverance were far from similar! I don’t give up as quickly these days.

What’s the best aspect of your creative life? There are two best aspects – the moments when I’m totally engrossed in the story and everything is flowing, and the moment I finish the first draft. It’s the elation of having created something from start to finish, and there it is in front of me. I enjoy working on subsequent drafts, but it’s getting that first one down in full, and adding the last full stop that does it for me.

—the worst? Being stuck. And then procrastinating too long, and getting totally out of the way of writing, but feeling guilty about not getting back on with it.

Do you experience ‘writer’s block’ and if so, how do you overcome it? I don’t know that I’d call it writer’s block, but, following on from the previous question, I certainly procrastinate when things get hard. And the way to overcome it is to sit down and write anyway. But that’s easier said than done! One technique that I’ve found really helpful is skipping ahead to a different section and writing it in first person, even if the rest of the story is in third person. Getting right into the head of my protagonist and having them write a letter or email to someone about what’s going on for them seems to free things up for me and make the missing bit in between more accessible.

What do you hope readers will take away from your stories? That it’s okay to fail. That what matters most is having fun along the way and having a gritty perseverance when it comes to following your dreams. That’s what Marlow Brown has in spades. And that’s what I’ve learned I need too, to be a successful writer. No surprises there!

How important is social media to you as an author? It’s a blessing and a curse! I wish it weren’t important, but it is. I’m in a number of writing groups on Facebook and have found these to be a great way to connect with others in the writing community, but I don’t like having to promote my work. It’s time consuming trying to pitch things in the right way for the right platform, and promotion isn’t something that comes naturally to me. I’m perfectly happy to promote others’ work on social media, but I have to swallow my own discomfort promoting my own. I know other writers struggle with this too, so I take comfort in not being alone in this!

You’ve written poems, plays, articles and short stories as well as books – what is your ‘sweet spot’ and why? I’m not sure if I have a sweet spot but I do like a challenge. Early on, I challenged myself to get something published in every genre that the NSW School Magazine published (with the exception of the cartoon strip because I can’t draw). I was pretty chuffed when I succeeded. I’ve only written one play so far, but I have to say I loved doing that, so I should probably try another. I like dialogue. My current personal challenge is to have a picture book published. I have many picture book manuscripts, but none have hit the right desk at the right time yet. I will get there. I’m determined!

In three words, how would you describe your writing? Amusing and relatable. (Is using ‘and’ cheating? Not at all!)

What’s the best advice you were ever given? Don’t give up on a story if you really believe in it. Keep sending it out. (After hearing this advice, I entered a story which had had multiple rejections as a rhyming picture book manuscript when I’d first written it thirteen years before hand, into the CJ Dennis Poetry Competition, and it won first prize!)

Now for a little light relief – If you were going to be stuck in a stalled lift for several hours who would you choose to share the experience with you and why? Well, at first I was thinking Harry Potter, Hermione and Ron, because I think a bit of magic in that situation could be handy, and if the magic wasn’t working for some reason, then the balance of the three characters might add some light relief … but then I started wondering about J K Rowling, because I love the world she created and I’m sure I could learn loads from her as a writer. But then there’s Dumbledore. I think I’m going for him. I have loads of questions for him! And who knows, he might have some Bertie Bott’s Every Flavour Beans in his pocket we could try our luck with to help us pass the time.

BOOK BYTE

Marlow Brown 2 - Cover ImageMarlow Brown: Magician in the Making

Written by Kesta Fleming

Illustrated by Marjory Gardner

Marlow Brown dreams of becoming a top-class magician but she has two problems: her special talent for creating chaos, and the fact that Dad won’t stop laughing … How can she show them, once and for all, what a serious and spectacular magician she really is?

Buy the book here.

 

Meet the Author: Karyn Sepulveda

Karyn’s top tip for aspiring authors: Be kind to yourself. When you’re on submission, do other things that you love, not only to keep busy, but also to keep your mood uplifted. And, be proud of yourself for following your dream and writing a manuscript – that’s already an amazing feat!

Karyn Sepulveda 3Karyn Sepulveda is an author, podcast producer and creator of short, guided meditations. Through writing about characters triumphing over adversity, interviewing women about their strengths and designing meditations that help the listener tap into their own creativity, Karyn hopes to spread compassion, inspiration and connection. Karyn completed her Masters of Creative Writing in 2011 and published her first novel, Letters To My Yesterday in 2018. When she is not working on her creative projects, Karyn is busy raising her two children and working as a teacher in primary schools.
Social Links Weblink: https://www.karynsepulveda.com/ Instagram: https://www.instagram.com/karyn_sep/ Facebook: https://www.facebook.com/karynmsepulveda/

AUTHOR INSIGHT

Why do you write? I am fascinated by finding the extraordinary in the ordinary. Writing stories allows me to explore the extraordinary aspects of a character’s life and it is also how I make sense of the complexities of this world (or at least try to!)

What would you be doing if you weren’t a writer? I do a lot of other things besides writing so I would stay busy! I’m a primary school teacher and I also create guided meditations and run a creativity course. But if I wasn’t able to write, I think I would have to find some other kind of storytelling to enjoy – maybe I would try painting (I would need some lessons though as I’m not very good).

What was your toughest obstacle to becoming published? My own impatience. In the beginning, I would send out manuscripts that weren’t ready for publication, because I was just so eager to be published. As time went on, I soaked up the advice of the surprisingly nice rejection letters I was receiving and realised that I needed to spend a lot more time developing my manuscripts in the editing and re-writing stage before sending out to anyone. This lesson took quite some years to learn, but I’m happy to say that I am far more patient with my works in progress now.

How involved have you been in the development of your book? Did you have input into the cover? I did have a little input into the cover. I was asked to send some of my favourite book covers to the designer so they had an understanding of the style I was hoping for. And then I had a choice between five early book covers to work from. But I can’t take any credit for the incredible cover – I never would have imagined something so beautiful!

What’s the best aspect of your writing life? Those moments when a scene comes together so vividly that it feels as though I’ve lived the moment and I can’t type fast enough to relay what’s happening. It’s pure magic!

—the worst? The nerves that come with waiting for an agent / publisher / editor / reviewer to read my book. I try not to worry and keep myself busy, but the underlying nerves are never too far away.

What would you do differently if you were starting out now as a writer? I would take my time. I understand now that there really is no rush at all. And I would be more aware of how special the drafting process is and try to enjoy each moment of it more fully.

What do you wish you’d been told before you set out to become an author? I wish I’d known how helpful it would be to connect with other writers and support each other – I would have started making those connections a lot earlier.

What’s the best advice you were ever given? My creative writing professor told me that reading is like breathing in and writing, like breathing out. I’ve never forgotten this and it’s the best excuse for reading a whole lot of books!

How important is social media to you as an author? I only really use Instagram, but it is very important to me. I love the community of writers and readers I have found there. I’ve developed some terrific friendships and it actually feels like this secret little world of books that I’m part of. I am inspired by the writers that I follow and I get all of my best book recommendations from other readers.

Do you experience ‘writer’s block’ and if so, how do you overcome it? I haven’t experienced writer’s block, but there have been times where I’ve not written for long periods because I have let other commitments take over. When this has happened, I feel the lack of creativity in my life coming through as a type of ‘lost’ feeling. So I use meditation to help me get back in the creativity zone and open up to some new ideas coming through. And then I ensure that I put aside writing time again – even if it’s just a couple of hours a week.

How do you deal with rejection? Now, I deal with it fairly well. I understand that we all have different taste and my writing isn’t going to be enjoyed by everyone who reads it. But when I started out, rejection would devastate me, as I took it personally. Once I developed the ability to separate myself from my manuscripts, I found coping with rejection much easier. As difficult as it can be sometimes, it’s important to remember that it’s not us as a person being rejected, it’s the story we created. And if we persist, that story will find the perfect home at the perfect time.

In three words, how would you describe your writing? (I hope it is…) Engaging, relatable and compassionate.

If you had the chance to spend an hour with any writer of your choice, living or dead, who would it be and what would you most like them to tell you about living a writing life? What a great question! I would spend an hour with Khaled Hosseini and I would ask him to explain his writing process and character development to me. I am in awe of the way he can write from multiple perspectives with such depth and invoke such incredible emotion.

BOOK BYTE

The Womens CircleSydney, present day. Anna is released into the world after six years in prison. The entirety of her possessions stuffed into a single plastic bag. The trauma of her past, a much heavier burden to carry. Feeling hopeless, isolated and deeply lonely, Anna attends an alternative support group; The Women’s Circle. But when she touches an ancient crystal, Anna connects to a woman she has never met, in a past she doesn’t recognise.
In 1770, a brutal regime torments the English village of Quarrendon and is determined to keep its women apart. Young villager Aisleen desperately seeks a way to defy the rules, reunite with her sister, and live life on her own terms, without her husband’s permission. The stakes are high and terror of punishment inescapable, but doing nothing comes at an even steeper price…
While separated by generations, Anna finds herself drawn to the spine-chilling and courageous plight of Aisleen and Quarrendon’s women. Can their bond help her to face her past and embrace her second chance at life?
A heart-warming and inspirational portrayal of inner strength and vulnerability, The Women’s Circle shows us the true power of female friendship in all its forms.

BUY THE BOOK HERE.

Meet the Author: Penny Macoun

Penny’s top tip for aspiring authors: Don’t give up, enjoy the process and it will take as long as it takes.

Penny Macoun was born in Sydney, Australia. She has been writing since 1993 when her story about a funnel web spider was printed in a school newsletter.  Ever since, Penny has loved the ‘other worlds’ that words create, and hopes to continue to create these worlds for many years to come.  Rollo’s Wet Surprise is her second book. When she is not writing, teaching or editing, Penny dabbles in various forms of visual arts and enjoys being in the garden.

AUTHOR INSIGHT

Why do you write? I write because I enjoy creating the ‘other worlds’ you find in stories. It fills me with excitement to create something new. Words are my passion.

What would you be doing if you weren’t a writer? I am a trained Primary School teacher. Up until the pandemic I had been a casual teacher for eight years. When I decided to put a hold on teaching, I decided to follow my career dream of being an author.

What was your toughest obstacle to becoming published? As a self-published author my toughest obstacle was learning all the things I had to do as a ‘publisher’ such as getting an ABN, how to purchase ISBNs and understanding the intricacies of getting files ready for producing a book.

How involved have you been in the development of your book/s? I have been involved every step of the way. This is why I decided to self-publish my books, because I wanted to be able to produce the book how I wanted it to be. I thought of the illustrations as I edited the stories, which meant I could give clear guidelines to the illustrator.

What’s the best aspect of your creative life? Being able to set my own working hours and have flexibility to do things during the day if I want to. Oh… and sleep in.

—the worst? Low income. I love what I do, but slow and few book sales makes the balance sheet a bit difficult to look at sometimes.

How has your childhood influenced you as a children’s author? I think my career as a teacher has influenced me as a children’s author, rather than my childhood. I was working on an adult murder mystery for many years but it was my experiences of reading to children in the classroom and using books to educate that made me begin to see that some of my stories could be turned into books for children.

How do you approach a new picture book project? Walk us through your creative process. Once you have an idea, what’s the next step? I don’t really set out to write a picture book. I write a story and as I write I am thinking if pictures can be attached to what I have written. Then I edit the story and create a storyboard to work on layout and illustration ideas. I then send the storyboard and the manuscript to the illustrator, who will begin on the artwork. They start by sending me character sketches and a black and white storyboard layout and then will add colour. We send ideas and illustrations back and forth until I give them the tick of completion. The illustrator then sends me print ready files to upload to Ingram Spark to create my book.

How much time do you spend on creating each picture book? Once I have written a story, I like to leave it alone for a few months before looking at it again and starting the editing process. I then will edit the story and send it to my friend, who is an editor. I also use another editor to have a non-biased look at it. After several reviews and the creation of the storyboard and illustration ideas, I give everything to the illustrator, who will usually take a couple of months. Therefore, I guess the whole process can take about six months minimum.

What are you working on at the moment? I have written a sequel to Gorkle, which was my first children’s book. Now that Rollo’s Wet Surprise is complete, I will begin editing it.

Do you experience ‘writer’s block’ and if so, how do you overcome it? Yes, I do experience writer’s block. Usually when I have to write something for the writing group I am in. To overcome it, I will either work on a different piece of writing or just do something that isn’t writing, so I can go back to it with a fresh view. Often a few hours or days away from the desk is enough to rejuvenate the writing juices.

What do you hope readers will take away from your stories? Enjoyment and the experience of learning something without even realising it. As an educator, I am always working to link books and my own stories to experiences or things children can learn from.

Is there any area of writing that you still find challenging? Writing chapter books for children. I would love to explore this area more. Five years ago I couldn’t even write a picture book and now I have published two, so there’s hope for me yet.

What would you do differently if you were starting out now as an author? Take my time and don’t rush the process. I made this mistake with my first book, which meant there was a lot to fix by a designer before I could publish the book. Rollo’s Wet Surprise went a lot smoother.

How important is social media to you as an author? I find social media is important to get the word out about what I am doing professionally. I also regularly update my website. I find the engagements are becoming fewer as people become disillusioned with social media, which makes me wonder if people are looking at my posts anymore. However, I do feel that an author should use every method they can to spread the word about what they do; someone, somewhere will see the post and hopefully tell someone else and ultimately create a few book sales along the way.

What’s the best advice you were ever given? I don’t really remember ever being given advice but something has stuck with me. I was with my dad at a shop counter after I had been looking at the books on display. It was in a hospital convenience store. I said I wanted to be a published author with lots of books like Bryce Courtenay. My dad scoffed and didn’t think much of this as a career, but the shop attendant said there was no harm in trying. Now most days, Dad asks me if I’ve written another book.

In three words, how would you describe your writing? Colourful. Educational. Fun.

Website: www.pennymacoun.com.au

If you look at the Rollo’s Wet Surprise page you will find links to all online stores that have this book. I also sell both of my books through my website.

BOOK BYTE

Rollo is a dog that loves to go to work with his owner, Jim, who is a builder. Jim and his team of builders have been working on a house that Rollo has enjoyed visiting because the family like to give him lots of pats and the garden is nice and big, so he has lots of places to explore.

One day, the builders are moving lots of big, heavy windows to a safe area. Rollo begins to explore this new part of the garden, and sniffs around.

While Rollo is exploring, he tries to walk on a surface that he thinks is hard. Unfortunately, the hard surface is a pool cover and Rollo finds himself falling into a large swimming pool. Jim helps him out and everyone thinks it is very funny, except for Rollo.

This book is ideal for teaching children about being safe around water and remembering to always close pool gates and never go near a pool without an adult.