Born and raised in the UK, Sarah Hawthorn lived in Toronto, Dallas and New York before emigrating to Sydney, Australia. After career jumps from actress to journalist and then publicist, she relocated to the village of Bundanoon in NSW’s beautiful Southern Highlands to pursue her dream of being a full-time novelist. When not writing, Sarah enjoys theatre, cooking and walking her dogs. A Voice in the Night is her debut novel.
Why do you write? I’ve always written – ever since I was a little girl and became fascinated by words, so I reckon it’s part of my DNA, like breathing. And when I’m not physically putting pen to paper (or fingers to keyboard), I’m writing in my head.
What would you be doing if you weren’t a writer? It’s hard to conjure an alternative occupation that doesn’t involve some form of writing. For sure, I’d spend my time involved in a creative pursuit. Most probably I’d return to my first love, acting, and seek out podcast performance opportunities.
What was your toughest obstacle to becoming published? Before A Voice in The Night was picked up by Barry Scott at Transit Lounge, who bravely put his faith in me, I’d completed three prior manuscripts. Whilst each got good feedback, I was competing for attention with an enormous number of aspiring authors, and not standing out enough from the crowd. I believe coming up with a compelling hook was the key to becoming published.
How involved have you been in the development of your book? Did you have input into the cover? It’s been a fantastic journey. My editor Kate Goldsworthy was a hard task-master and really pushed me to make the book as good as it could be; I learned a lot from her during the editing process. My publisher has kept me super-involved in everything: selecting the right cover designs, and approving the cover content. I was also able to listen to audition tapes for the audio book, and provide my feedback and input.
What’s the best aspect of your writing life? Spending so much time with my imaginary friends, and never being quite sure what they’re going to do next. It’s never lonely.
—the worst? Procrastination. There always an errand or chore that seems to take precedence over knuckling down at the keyboard.
What would you do differently if you were starting out now as a writer? I would have taken the plunge into being a full-time novelist much sooner. In retrospect, worrying about the financial uncertainty stopped me from backing myself, and writing a book became something I’d do one day ‘when I had the time’ rather than a life career choice.
What do you wish you’d been told before you set out to become an author? I’m going to twist that question around and say how glad I am that no one told me how hard it would be to get published, and that it would take five years and three manuscripts before I nailed it. Patience has never been my strong point.
What’s the best advice you were ever given? When I was starting out as an actor, my father advised me to give it ten years. I think the same can be applied to becoming an author. You’ve got to be prepared to be in it for the long haul and not expect instant success.
How important is social media to you as an author? It’s a bit of a minefield, but nowadays you can’t expect widespread exposure without taking social media seriously.
Do you experience ‘writer’s block’ and if so, how do you overcome it? I try to push through it rather than be beaten down. If I’m just stumped, I find going for a walk works wonders. I can also get re-inspired by leaving my office and taking my laptop to a different space. I work really well in cafes, on planes or trains, or in our garden house. But if I’m seriously blocked, taking time away from a project and moving onto something else for a while can help to provide a new perspective.
How do you deal with rejection? I’m fortunate in that having started out as an actor, from a very young age I got used to constant rejections and not taking it personally. I tell myself it’s a numbers game, and I rarely get ‘down’ about rejections – it’s all part and parcel of the business.
In three words, how would you describe your writing? Pacy, incisive, tight.
If you had the chance to spend an hour with any writer of your choice, living or dead, who would it be and what would you most like them to tell you about living a writing life?
There are so many authors I’d love to spend an hour with, but at this current stage in my writing career, I’d choose to spend time with Christian White who was gracious enough to advance-read my book and give a cover review. I’m so impressed with how he backed up Nowhere Child with The Wife and The Widow (such an incredibly clever concept), that I’d be fascinated to learn more about his creative journey, how he’s navigated his subsequent success, and where he finds his inspiration. An hour wouldn’t be long enough!
A Voice in the Night
by Sarah Hawhtorn
Following a bitter separation, Lucie moves to London to take up a position with a prestigious law firm. It seems an
optimistic new beginning, until one day she receives a hand delivered note with the strange words: At last I’ve found you. A shock I ‘m sure. But in time I ‘ll explain. Martin.
Lucie hasn’t forgotten a man called Martin who was tragically killed twenty years ago in the 9/11 attacks. When
she was working in New York as a young intern Lucie had fallen in love with him and he vowed to leave his wife to be
with her permanently. As an inexplicable series of events occur Lucie wonders if her long-dead lover could have staged his own disappearance under the cover of that fateful day. Or could it be that someone else is stalking her, or that her vivid imagination is playing tricks?