Meet Illustrator Amy Calautti

Amy has loved to draw from a young age and often made up games based around drawing to entertain her younger brother and cousins. Her artistic talent was noticed and she was accepted into fashion and textile design in high school and TAFE . When she became a mother, she fell in love with picture book illustration, and realised what her true potential could be. Amy and has developed  a few distinct styles and is always playing with new techniques to expand her repertoire.

Website: www.http://amygorgeousness2.wixsite.com/amyillustrates

Instagram: @amygorgeousness

Facebook: www.facebook.com/amyillustrates

Illustrator insight

What does art mean to you? Art is a beautiful way of communicating ideas and feelings.

What’s the best aspect of your artistic life? My studio is at home, and I love being at home for my children. Also,  I love doing something that I enjoy and it slots so seamlessly into my life.

—the worst? Maybe that it takes so long? I want to do all the projects I possibly can.

How do you approach an Illustration project? Walk us through your creative process. I read the manuscript and then I storyboard the illustrations in a thumbnail size. I sometimes go through several ideas before I show my editor and author. After the storyboard is finished I fix any changes that need to be made. Once the storyboard is approved I move onto final artwork which could be digital or traditional watercolour depending on what style the client and I want to go with. Both styles take about the same amount of time because I’m fast at painting watercolour but I then have to digitise it anyway. So the whole process is about four months, for watercolour and digital art. Digital art still takes me a while although I am getting the hang of it.

Picture books are a creative collaboration between author and illustrator. How closely did you work with Wenda on One Book was all it took? Wenda was an absolute dream to work with. She was very encouraging and I had a great experience. Our main points of discussion were when I handed in my first storyboard. Wenda, Anouska (our editor) and I bounced around some ideas for a couple of illustrations and I think it’s nice to get some input at that point of the illustration process.

One thing I’ve noticed about the picture books you’ve illustrated in the past few years is the variation in style from one book to another. What’s the background story on how the style is chosen? I originally started in a watercolour style, the I got a laptop tablet to digitise my artwork and I started to play around with hand sketching and digitally colouring illustrations. My watercolour style is usually good for cute, sentimental and heartfelt stories. My digital and ink styles are good for exciting humorous and energetic stories.

I usually let the client choose the style I work in. When I got my first contract with EK (Turning cartwheels) Anouska (editor)and Amy Adeney (author)  liked my digital style, and I  continued using the same style  so my editor  knows what style to expect. But I can consistently illustrate in a few styles, you just have to tell me which one you want. Also I’m thinking of creating a new style which I’m hoping to start experimenting with soon.

Did you draw on your own childhood experiences of libraries in creating the illustrations for the book? No, I am dyslexic so reading wasn’t my safe haven as a child. My love of reading came much later; riding a train every day to work was when I began devouring books.

How much time do you spend on creating each illustration? An illustration can take so-o-o long, anywhere from three hours to five days for final art.

Do you have a preferred medium? Water colour, pencil, and my laptop for digital illustration.

Is there any area of art that you still find challenging? It sounds weird but storyboarding is the trickiest, but I really like working out interesting compositions.

What would you do differently if you were starting out now as an illustrator? Nothing, I got pretty lucky and I got three of my first book contracts within a few weeks of each other and went into panic mode to get all the work done. Haha

What do you wish you’d been told before you set out to become an illustrator? I’m still quite new at Illustrating so I don’t have a huge wealth of knowledge, but it would be to stay positive and to show your work online.

What’s the best advice you were ever given? What’s the worst someone can say, no? Don’t let the fear of rejection stop you.

What’s your top tip for aspiring illustrators? I would make sure to put together a low res pdf portfolio showing your best work that tells a story and is aimed towards the children’s book market. Once it’s done, submit your portfolio to publishers you think may like your work.

What is your creative dream? I’m living my creative dream but there’s always room for improvement. Maybe to illustrate another fabulous book that becomes a sensation and I am just so busy with work for years to come.

Now for a little light relief – If you were going to be stuck in a stalled lift for several hours, who would you choose to share the experience with you and why? Probably my husband as he is an electrician and has worked on lifts before. He would be able to fix it and we would be out of there in no time. If I can’t pick him, maybe Taika Waititi would be a good laugh.

Book Byte

Violet has searched her room high and low, but just can’t find a book she hasn’t read before. She wishes her town had a library; a magical place full of adventure where she would never run out of stories to discover. But alas, on this particular rainy day, the only unfamiliar book she can find is the one propping up the kitchen table. Dad won’t miss it, right?…
With a CLATTER and a CRASH, Violet’s actions set in motion an unstoppable chain of events that soon has the whole town in chaos! Young readers will delight at the playful, colourful illustrations, while learning an important lesson about how actions lead to consequences. The story also introduces children to the wonder of libraries, while highlighting their vital role in fostering literacy.
One Book Was All it Took is the perfect tongue-in-cheek adventure story to share with budding bookworms. From the hilarity of the chaos that Violet causes, to the heart-warming reminder of the important role libraries have played in many of our lives, readers of all ages will find joy in this vibrant book. It is also an excellent introduction to the concept of how our actions can affect others, an important lesson for all young ones – especially Violet!

Buy the book here.

Meet the Illustrator: Amy Calautti

AMY’S TOP TIP FOR ILLUSTRATORS: You are on your own journey. Don’t look to the side, just keep working and win your own race.

Amy Calautti has loved to draw from a young age and often made up games based around drawing to entertain her younger brother and cousins. Her artistic talent was noticed and she was accepted into fashion and textile design in high school and TAFE.

When she became a mother, she fell in love with picture book illustration and realised what her true potential could be. Amy has developed a few distinct styles and is always playing with new techniques to expand her repertoire.

Visit her website here.  Amy is also on Instagram: @amygorgeousness and Facebook: www.facebook.com/amyillustrates

ILLUSTRATOR INSIGHT

When the Moon is a Smile is your debut picture book. How did that project come about? I’ve been illustrating for a couple of years with the intention of illustrating for picture books, and just started submitting my portfolio to publishers while I posted all my work regularly on social media and had made lots of arty FB friends along the way. Jennifer, our lovely publisher, friended me on FB, and once I had finished my Inktober project, she asked me to illustrate a book for her.

What were some of the challenges in creating the illustrations? I feel like the first draft is the trickiest because that’s where you use your imagination
the most. Sometimes I can come back to an idea and expand on it more. Once that’s done the rest is easy!

Walk us through your creative process. Once you have an idea, what’s the next step? First I thumbnail a storyboard. This is mainly stick figures and page layout. Next I make more detailed drawings to send off to the publisher.
Then I go through any changes and redraw which spreads need to be done.
My favourite part is next – PAINTING! Then I add any coloured pencil outlines or tonal values.
Once the artwork is done I scan it, and then add digital touches to bring it up to professional standard.

How much time do you spend on creating each illustration? Not counting the drawing time, painting a double page spread takes from four to nine hours. Nine hours has to be a very specky painting.
Do you have a favourite medium? My favourites are watercolour, coloured pencil, ink and digital.

Is there any area of art that you find especially challenging? Not overly, now that I’ve learned about preparing files for printing. I think my
technical side is improving. But I would like to be quicker so I can say yes to more projects.

You have two more picture books coming out next year. Can you tell us anything about them? I can’t really share anything about them although I am almost through my first round of drafts with both of them. Needless to say it’s been hectic at my house. Surprisingly I haven’t had any offers to help me out with all the neglected cleaning jobs around the house.

What’s the best aspect of your artistic life? The best aspect is that I get to do what I love. I can’t think of a better way to spend my day!

—the worst? In the beginning it was learning computer programs. I’ve climbed the mountain now! Just over a year ago, I had never owned a computer of my own or did any classes in the digital realm. Not even a typing class! Once I figured out it was holding me back, I took the plunge! now look at me go. Ha!

What is your creative dream? Gosh, so many dreams! I would love to illustrate a funny book. I really value humor in my life, so it makes sense to me to illustrate a book in that genre. Also I dream every day to be a full-time Illustrator, creating illustrations for picture books and junior fiction and provide an extra income stream for my family.
Other than that I would love to go on a painting tour around Europe. I don’t know if they exist, but they should!

What do you wish you’d been told before you set out to become an illustrator? Nothing I could have been told, but something I would’ve loved to have studied is graphic design instead of fashion design back when I got into both courses (despite never touching a computer in my life, ha ha).
What’s the best advice you were ever given? There’s so much I’ve heard but I’ve not been told specifically. One off the top of my head is, ‘Illustrate, don’t decorate’.

Now for a little light relief – If you were going to be stuck in a stalled lift for several hours who would you choose to share the experience with you and why? Probably my husband, he would Macgyver our way out of there. Ain’t nobody got time for that!

BOOK BYTE

When the Moon is a Smile

Written by Teena Raffa-Mulligan, Illustrated by Amy Calautti

 

“Don’t go, Daddy!” It’s the plea that tugs at the heart of every loving father whose child no longer shares his everyday life due to a relationship breakdown.

For a young child, accepting how things have changed once parents live apart can be difficult. When ‘Daddy time’ is occasional instead of constant, saying goodbye for now can be the hardest part of spending time together.

In this gentle story about the special bond between a little girl and her father, the fun of sharing a day imagining everyday activities into extraordinary adventures turns to sadness when it is time for him to leave.

Tears turn to acceptance with the promise that Daddy will soon return — and there is a special way to know when that will be.

A heart-warming family story from the author of Who Dresses God?, True Blue Amigos and Friends.

When the Moon is a Smile is available here from Daisy Lane Publishing and also from Amazon and other online retailers.